Bimblebox Art Projects

The Bimblebox Art Project was begun in 2012 by artist Jill Sampson, who continues as the co-ordinator.  Its aim has been to generate creative engagement with and to document the Bimblebox Nature Refuge.  Art/science/nature camps, exhibitions, writing, music and academic research have been some of the outcomes from this project.

 

Bimblebox art, science and nature camp, 2016, photo Tangible Media.

Bimblebox art, science and nature camps:

Creating the opportunity for artists to immerse themselves in the Bimblebox Nature Refuge to develop artwork was the driving idea behind this art project.  Annual art, science nature camps were held from 2012 – 2017 and were open to all who were interested in exploring the environment and biodiversity of Bimblebox. 

Artwork, poetry, writing, essays, photography and much else, has resulted in a body of diverse, cultural material that documents and explores the Bimblebox Nature Refuge.  Issues such as biodiversity loss, food security, water use and climate change have been explored as well as creatively celebrating the vibrancy of life that currently thrives on the Bimblebox Nature Refuge.

The last camp was held in 2017 after which deepening drought put a hold on further camps.  Even though the camps are on hold, individually artists have continued to visit and document the Bimblebox Nature Refuge.

Exhibitions developed by the Bimblebox Art Project:

Current Exhibition:

Bimblebox 153 Birds at Webb Gallery, Griffith University, 2019, photo S. Mardon

Bimblebox 153 Birds

Bimblebox 153 Birds is a unique exhibition installation inspired by the birdlife of the Bimblebox Nature Refuge. Each species of bird living on Bimblebox, has been allocated their own artist, writer and musician.  More than 450 people worldwide have contributed artist prints, poetry, prose and musical birdcall compositions, resulting in a visual and soundscape installation.

Bimblebox 153 Birds enthralls gallery visitors who love being surrounded by birds, sparking stories and conversations. It’s our story of our birds, how we experience them and sadly how we could lose them.

Curator: Jill Sampson (https://jillsampson.com/)

Audio compilation and mixing by Boyd

Bimblebox 153 Birds is available for touring, contact birds153@bigpond.com

Past exhibitions:

Document://Bimblebox 

5 – 27 April, 2013, Sawtooth ARI, Launceston, Tasmania.  Curated by Samara McIlroy.

Document://Bimblebox was the first exhibition to explore the Bimblebox Nature Refuge through the work of ten artists, developed from the inaugural Bimblebox camp.

Bimblebox: art – science – nature at Redland Art Gallery, 2014, photo Carl Warner.

Bimblebox: art – science – nature 

2014 – 2017, National Touring Exhibition

Curated by Beth Jackson

Bimblebox: art – science – nature was a touring exhibition about the Bimblebox Nature Refuge, its environmental, social and scientific significance and an artist group’s creative response to their experience of this unique and threatened environment. The exhibition was rich, dynamic and diverse and included artworks in installation, works on paper, painting, artist books, photography, digital media and sound. Curated by Beth Jackson from a project initiated by artist Jill Sampson (Bimblebox Art Project), the exhibition also incorporated aspects of scientific and environmental research and social history of the site, together with catalogue and education kit in digital and print media.

Research:

The Depiction of Environment Through Art

The role of exhibited environmental art in public engagement with environmental sustainability: a case study of the Bimblebox art-science-nature exhibition. (July 2018)

by Andrew Nicholson, University of New England (UNE)

This research project centred on a case study of the Bimblebox: art – science – nature touring exhibition, and associated media. The research project commenced in February 2016 and was completed in 2018.

Nicholson’s research explores the capacity of environmental arts advocacy to close a challenging communication gap. This gap exists on the one hand between conventional forms of environmental and climate science communication to citizens and communities. And on the other hand – the urgently needed and more effective level of practical engagement required from those communities in order to help them respond more effectively to the growing challenges posed by human caused climate change, loss of animals and plants, loss of groundwater and productive soils, and a host of other human-produced impacts on the natural world.

Summary Report  

Thesis  

Other:

Archival Collection:

The State Library of Queensland holds a developing collection for the Bimblebox Art Project that will be able to be used for future study and reference. 

The collection includes:

  • Ephemera from the exhibitions
  • Articles
  • Photos
  • Artist book by Gerald Soworka
  • Artist book of poetry by Beth Jackson

Writing:

After participating in one of the Bimblebox Nature Refuge art, science and nature camps, Pat Hoffie wrote a digital essay for the Griffith Review. 

Images and digital video by Greg and Emma Harm of Tangible Media.

Bimblebox Nature Refuge dawn bird chorus audio by Boyd.

Ground Truthing, Pat Hoffie, Griffith Review

https://griffithreview.atavist.com/ground-truthing

Articles:

You can find further links to media articles, art reviews and other writing at:  https://bimbleboxartproject.com/